Author: sabrina

  • Biggest threat for the oceans

    Oceans are carbon sinks of the planet (Dr Sylvia Earle) , fish carbon stabilises our climate ( UN environment). 93% of all world’s ocean is stored in the ocean. Marine plans are absorbing x20 more carbon than trees. loosing 1% of this echo systems is equivalent to releasing the emissions of 97 millions cars.

    90% of coral reefs will dye by 2050, hidden fish keeping coral reefs alive with their excrements. ecosystem on coral reefs are based on recycling

    Georges Monbiot- fish industry is destroying the planet

    Mass killing fish industry 2.7 trillions fish killed per year up to 5 million killed per minute-

    Empty oceans in 2048

    Understanding how interconnected each species are with each other, the role they play in maintaining the chemistry of the ocean. The power of the fishes mixing up and down in the oceans in term of power is greater than the tides, the winds and the currents in the seas combined. ocean s are absorbing excess heat ( New York Times). They creates a powerful down welling of the warmer surface waters with the cold waters below

    More than fishing , is the bycatch

    Fishing is an industry with $35 billions subsidies ( world hunger is $30 billions)

    Fish can feel pains like us

  • Adaptation- Living Things

    Living things are adapted to their habitats. This means that they have special features that help them to survive in their environment.

    Plant Adaptations: Metaphors for Overcoming Life’s Obstacles

    Adaptation. A metaphor for urbanism in the age of climate change.

    Adaptative Urban Fabric

  • Water of the solar system

    Waters on the solar system planet .

    “Chemical markers in the water of our oceans suggest that most of the water came from asteroids. Recent observations hint that ice, and possibly even liquid water, exists in the interiors of asteroids and comets.”


    Venus may have been our solar system’s first ocean world.

    Billions of years ago, Mars lost its protective global magnetic field and has lost approximately 87 percent of the water it had billions of years ago. Most of the remaining water on Mars is frozen in the ice caps or trapped beneath the soil

    Moons of Jupiter Europa , Ganymede and Callisto have salty waters underground their surface protected by icy layers and so do the Moons of Saturn : Titan, Enceleadus and Mimas.

  • Colour of the Weather

    Weather Temperature, relative humidity, pressure, precipitation amount, snowfall amount, solar radiation, win speed, win gust. Meteoblue

  • Colour changing animals

    Animals from chameleons to cuttlefish can manipulate their colours for a variety of reasons – to hide from predators, intimidate rivals, or woo mates.

  • Technology

    “Technology is not enough consider the technology as a tool which, in itself, could do nothing,” and “treat the technology as something that everyone on the team could learn, understand, and explore freely.”

    Red Burns, 1981
  • Jardinier Satiné – L’oiseau architecte

    Satin Bowerbird

    They cannot see colours, Using twigs and things from the environment , organised by colours and structure contrast

    Building technics , arrays of objects organised by contrast and arrangements. constantly adapting to their environments ( flowers to plastic)

  • Post digital environment

    The postdigital defines a time in which the novelty of the digital has been overcome and its value is becoming fully integrated, embedded, into our lives.”

    Elaine Igoe, “Change Matters” 2018
  • Digital Puppetry

    Call for Grant Deadline 11th April 2021 ) Newcastle Festival – Moving Parts : “What is digital puppetry?

    “Digital puppetry can be many things and is very much open to interpretation. A live-streamed show may use real puppets against the backdrop of a green screen. A handheld camera following a puppet-led story may take the audience on a journey not possible in a seated theatre. The puppets in the piece may be built by a 3D printer, laser cutter or exist only in virtual reality. Stop-motion animation passages may be infused with live puppetry. Digital puppetry can be low-fi or slick and shiny; can mix old techniques with new techniques; has the potential to reach new audiences – the focus of this commission is experimentation.”

    (Moving Parts)